Friday, September 30, 2005
Photographer
Lori Nix's creates miniature
landscapes that are frequently overshadowed by impending
disaster (via
Conscientious). Why is it that contemporary dioramas are frequently
military themed? Ruins often crop up as well, both strands coming together in the Chapman Brothers'
Hell (ironically since
consumed by fire). The original meaning of diorama - 'a scene reproduced on cloth transparencies with various lights shining through the cloths to produce changes in effect, intended for viewing at a distance through an aperture' - has largely been superseded. According to
Wikipedia, it was the
American Museum of Natural History, and ornithologist
Frank M.Chapman who popularised the idea of the diorama as a lifelike setting for stuffed creatures, fowl or
fish.
The original term was coined by one Louis Jacques Mande Daguerre, the combination of painting and light to create a '
naturalistic illusion', often on a
grand scale. The
very first Diorama opened in Paris in 1822 (all links from the excellent
Midley History of Photography). The following year a
Diorama opened in London, in Park Square East, just a few hundred yards from where we are now. For a while it was also home to the
Diorama Arts Centre. All related images are
here.
Other things. The
Sea Jet, a future warship concept /
mash-ups / niche blogging:
luxist wheels / art by
Jordan Crane. Art by another
Jordan Crane, including this fabulous
Guide to Reproduction / need more pixels?
Try this /
flickr's pool of
found photos (via
rob) /
food vs car, a novel take on the safety ad / a visual history of the
Nikon SLR (via
kottke) / a good-looking
IKEA website / still wonderful: the
Golberg variations (another
version) / Thomas Mahon's
English Cut, the thoughts of a Savile Row tailor, rich with insights into the suit-making business (via
plastic bag). This
Savile Row Who's Who is a useful primer if you need a suit made.
posted by things at 09:04 /
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Thursday, September 29, 2005
Are we entering a
technological dark age? As this article speculates, although the
impact of digital photography on culture is by no means entirely clear just yet, some are worrying that the explosion of image capturing that characterises the present day (we have, oh, 21,767 files in our 'photos' directory right now) will be the death of the contemporary image. Photographs will simply slip through the fingers of future historians as they struggle with forgotten formats, corrupt data and - most likely - the fact that many people simply didn't 'back up' their family memories.
A photograph was once an object, something
static and (relatively) indestructible. In comparison, today's objects are no longer frozen - they shift, imperceptibly or glaringly, as
jpg compression slowly strips away elements of detail, until there's nothing left at all but a blur. Can a digital archive stay stable? Probably not: the digital realm works best when it constantly shifts shape and meaning (
Wikipedia edits Esquire, for example, a more successful - and controlled - experiment than when the
LA Times opened itself up). Once something is in the digital realm it loses its physical solidity, most likely for ever.
*A few wildly contrasting links around the subjects of towns, cities, ruins, changes and futures.
Above and Beyond, New York rooftop dwellings. Some very impressive - and depressing - images from
post-Katrina in Pearlington, Mississipi, where
creeping mold is dragging storm-damaged homes back to nature. That surely won't be a problem for the
most expensive homes in the world, a goggle-eyed collection of needless extravagance which includes the frankly grotesque
Updown Court (you can find this pile on Google Earth if you search for 'Windlesham, England' - the house is actually within spitting distance of the, hopefully rather noisy, M3 motorway). If tasteless uber-luxury doesn't appeal, consider '
Ideal homes and petty snobberies', just what is it that makes today's suburbs so appealing, so inviting? How good drains made suburban living a tempting alternative. And while we're at it, regeneration or gentrification? How more of the latter is doing away with
Brixton's character.
Bristol: then and now - animations. A similar exercise at
Biggin Hill, and then across the Atlantic to
Richmond, Indiana. The mighty
Atlas Underwear Factory (now
Atlas Senior Apartments) once trained its Ohio salesmen with this inspirational manual, '
Counter Talks and Counter Arguments'. See the
women of Atlas at work, making
union suits, an item of underwear apparently
unique to the US. Just two items from the extensive
Ohio Memory site. Did you know that '
Perfect comfort in underwear is the happy combination of snugness and looseness'?
posted by things at 16:59 /
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Tuesday, September 27, 2005
The Pit, 'classic horror sounds on wav' (via
eye of the goof). 'Is that one
sitting behind you now?'. Related, the complete works of
Edgar Allan Poe (one of
many). Poe was a
hoaxer, creating
fantastic tales that were not wholly unbelievable. It was a form of story-telling that later evolved into science fiction. Almost related,
reading into Romero, on zombies and analogies / we've done this before, I'm sure:
If London Were Like Venice, complete with
images. Via
Weltentummler, which also links this
epic panorama of Monte Baldo and Lake Garda at the
Pan-o-Rama site. London-as-Venice probably comes somewhere under the definition of nostalgia, albeit romantic nostalgia. This, however, is more cut and dried:
The Lost Generation is an essay at
Pitchfork by Nitsuh Abebe chronicling the 90s post-rock scene, 'the "lost generation" of airy, moon-obsessed English acts that got the ball rolling on the dreamy,
avant 90s'.
Meaning Building,
projects and writings,
long and
short, about the ways in which the meaning of the built environment is constructed: the archaeology of recent architecture, if you like. Projects include a
city of images and
Berlin.placeinplaceof.net, a weblog format history of Berlin, its architecture, new and hold, and the city's ongoing role as a memorial site /
banned books /
How to do anything photographic /
teenage furniture design competition results / the
JeffuPhonia, a clawfoot bass-tub (via
daily jive) /
Pop Idle invites you to
name that mp3. Linked,
Fourier Transform, a record label, with
random scribblings and
photographs of places and things.
Bad Subjects, 'Political Education for Everyday Life' /
BLDGBLOG, an excellent visual weblog with an architectural slant /
Artphoto.ro, an contemporary art magazine /
ex-soviet music, Russian pop in mp3s /
You Haven't Lived needs to be opened in IE to generate
instant post-modern essays /
modernist architecture in Berlin / check recent culture-related posts at
BritLitBlogs /
Villard, an Italian archiblog /
I am Gary Benchley. Paul Ford comes clean about living dangerously to produce his
first novel.
posted by things at 09:33 /
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Monday, September 26, 2005
The latest issue of
Smoke, 'a London peculiar' is out now (number
6). We especially enjoyed Steve Lake's tales from the coalface of
Foyles bookshop, back in the dark days of the early 80s. Foyle is a London institution, now rather diluted. From the piece: 'The only real reminders of the past were the sepia-tinted photographs dotted around showing such scenes as Christina Foyle walking the shop floor in the 1950s – presumably looking for someone to fire – and Margaret Thatcher speaking at a Foyles Literary Luncheon. Someone had set about her with a sharp instrument, little realizing they were picking on the more liberal of the two women.' The tradition of
literary luncheons continues. All
jolly good stuff.
Speaking fossilised retailers: 'Finally, the deed is done. Yesterday, Federated Department Stores announced that all of the
stores of Marshall Field's, a Chicago institution for over a century and, with Wanamaker's, one of the two creators of the concept of the department store in America, would be converted to
Macy stores in 2006.' Their Chicago store, designed by
Henry Hobson Richardson in 1882, was Romanesque yet also ultra-modern. It not only
revolutionised retailing, but ushered in a new era of architecture (along with men like
Elisha Otis).
Dwelling on the Roof, a
new book by Andres Martinez looking at 'the desire to occupy and utilise roof space'. More related titles,
Rooftop Architecture,
High rise Living and, cough,
Penthouse Living. Should we all be
living on flat roofs? / The South Coast gears up for
Brad vs Hove /
Julian Cope on
World Domination Enterprises (
listen) / behold, the
Terrawind / many, many
Citroen DS brochures / an
Ogle special Aston Martin. Ogle's
Tom Karen is something of a transport design legend. Not only was he responsible for a large number of
Reliant cars, he also created the
Vimp,
Bond Bug and the classic
Raleigh Chopper.
A few more links from Poland:
street art and
stencils. The country's photographic scene can be tracked at
Fotopeta, an online journal of photographic art. A
post-industrial diving centre / you can lose quite a lot of time at the
Literary Encyclopedia. For example, the
Lollard Knights were a group of heretical followers of Richard II who seem to get a lot less press than the Templars.
Give it to us sexy, shiny, and in public!. Awards are always going to annoy some people /
Retro Thing is the 'independent guide to vintage technology' - i.e. toys and gadgets that work at the cutting edge of analogue and digital. One area of product design infused forever infused with a retro-sensibility is robot design. Only a generational and technological revolution will shake it off: check robot news at
GoRobotics for details.
posted by things at 10:07 /
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Thursday, September 22, 2005
Type I Saw Today is a visual category at the
Fawny Blog (via
lowercase). See also
Text on Things, which gives you some idea of the challenges facing the modern designer, I guess / must remember to catch to catch the upcoming
Derain exhibition at the
Courtauld /
fine photos from Switzerland / Bangkok's
Elephant Building /
swapatorium is down for Rita-related reasons. Here's hoping it, and everything else, is back soon and all in one piece.
Thanks to Greg of
Airbag Industries for highlighting the work of Rural Studio, founded by the late Samuel Mockbee. Greg has worked with the studio
before and wanted to highlight its work with victims of Katrina, constructing dwellings and shelters from found materials. An upcoming
film looks at the work of the programme, and there's more information
here. Meanwhile, there's also good work being done at
Architecture for Humanity.
Correction. RS isn't directly involved in the Katrina re-building effort; the
initiative in question is by a
separate department at the
Auburn University School of Architecture. And the
Rural Studio website is back up. Thanks to
Hana for the correction - see the comments.
Kaia Juszczak's small
Polish Houses, in summer and winter, part of
Atmosfera Domowa, an exhibition on domestic atmospheres (?). We also like Marcin Makowka's
interior panoramas / more
Polish jazz, this time in mp3 /
brown sugar, found amongst the
ZZ Top tab / powerful black and white photos at
foto-gerhard /
Roger Fenton's letters from the Crimea.
Three links from
me-fi, starting with 'the life and times of an
eighteenth century hoax,'
copyrighted colours, and the
Placeopedia (
via) / armchair archaeology:
Internet maps reveal Roman villa / the photography of
Peter Guenzel, including this series taken at
Santa Pod Raceway / scary pics from the crash-test of a
Chinese SUV.
Two new print publications:
Wonderland magazine and
Sublime Magazine sound ostensibly similar, yet they have very different goals. The former is all about conspicuous consumption, taking its cues from several other, more established, titles, while the latter is billed as 'the first ethical lifestyle magazine'. Guess which one should carry this product: the
SIBI Villa doll's house, now available in the UK.
Someone is going to get a serious bargain.
Bid now!.
posted by things at 14:27 /
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Wednesday, September 21, 2005
Interactive adverts for the film
Sin City have overstepped the mark according to the UK's
Advertising Standards Authority. Push a button, and you get a clip from the film. Unfortunately the clips were too violent. Flat screen technology advances rapidly. A company called
Digital View now offers what it describes as
Videoflyers - little TVs that pump out ads in confined spaces. Our first experience of this was at
Tottenham Court Road tube station, where the traditional blizzard of electronics advertising has now been replaced by a run of 66 small screens. Every screen carries the same image, and the resulting effect is rather hallucinatory. Apparently '66% [of Londoners] said
they'd like to see more digital poster advertising on the London Underground,' a statistic brought into context by the sudden arrival of a large flat screen TV in the corner of our favourite Italian sandwich bar. It had only been there a week and the guy behind the counter shrugged when I asked if they were paid to install it. No sound, but rolling ads, drawing all eyes to a hitherto-ignored corner of the cramped shop.
I don't wish to sound too curmudgeonly, but my heart sank when I saw the screen. Alarmingly, I didn't even register it at first - just stared blankly at the flashing images (there's no sound, mercifully) for 30 seconds before realising that this had not been there the previous week. Developments like
commuter television are a blight: we're drawn to screens like moths to lights. In more restricted environments, '
forced television watching' is seen by some as a subtle form of punishment. So will images be the 21st century's piped music (or should that be
Muzak)? Muzak is
widely loathed, even after it re-branded itself as '
audio architecture', marking the shift from entertainment product to an environmental one. Critics call this '
scientifically engineered sound', stripped of uncomfortable emotional content that occupies the sub-conscious 'background space' in our day to day lives. It's not hard to imagine this background space being filled with subtle visual as well as audio data. How long, for example, before
electronic billboards entirely replace the traditional paper or tri-panel/tri-vision kind? Organisations like
Scenic America are fighting ongoing billboardisation, a struggle that's only going to get more harder.
*Elsewhere. Some great photos of Le Corbusier's
Ronchamp chapel, 1955 (via RIBAworld). See also the photographer's images of Gaudi's
Casa Mila, Corb's
Villa Savoye and
more /
Kontakt, a 'Magazine for Arts and Civil Society in Central Europe', looking at
emerging architecture and with projects like
The Balance of Trade, objects collected by Helmut and Johanna Kandl /
TF Archive, 'serving the Transformers community since 1996'.
Letters Never Sent, a weblog / build yourself a
garden escape /
rare cars, including the 1959
Cadillac Series 62 built for King Farouk. More details at this page of
Cadillac Specials /
BibliOdyssey offers scans from a dizzying collection of rare and historic books, including
pop-ups (linking this
excellent exhibition at the University of North Texas),
early British bookbinding and the original
Alice in Wonderland.
A new book from photographer
Michael Wolf brings together his recent urban imagery:
Hong Kong: Front Door/Back Door /
Honey Milk is a Norwegian record label / learn to play
Southern Rock / if the balloon went up, how would we have known? Via an
early warning system, that's how. Dismantled in 1992, you can apparently still find remnants of the nationwide sirens. From the indispensable
Subterranea Britannica). See also this page devoted to the
UK Cold War Nuclear Attack Warning System.
posted by things at 09:07 /
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Tuesday, September 20, 2005
Your life in their hands, Fiona Rattray on the genius of
Muji, the
Japanese firm that swept into the UK bringing everything brown, grey and green, in 1991 (in Carnaby Street, of all places). While the UK branch is only just diversifying into consumer electronics (the
CD player being a particular hit in the
things household), in Japan you can specify
entire houses, or even go camping with the
Muji Outdoor Network.
Why we should junk the green belt,
Grand Designs' Kevin McCloud gets wound up about 'crappy little noddy houses' and proposes that planning restrictions be abolished, so that 'people [could] build what they like, where they like.' Any catches? 'The only restriction would be that they would have to use an architect' / when not re-designing the whole country, check the
London Architecture Diary to see what's on in the capital.
The
pre-war architecture of Warsaw, a city that suffered 85% destruction during WW2. Features interactive maps and before and after imagery. The reconstructed town centre is now a
UNESCO World Heritage Site. Related, the best of
Polish jazz /
Junior Bonner has links to all kinds of book scans - a little bit like our own
projects page but somewhat more committed / going
back to the moon, a little movie of coming attractions from around 2015 / the 'ruined edition' of
Leisure Centre, out now.
What's inside your bag?, a flickr pool, via
gadgets.fosfor.se. Another random pool:
wheelie bins /
8mm monster movies /
Oak Tree Enterprises sell everything:
guitar effects, old
clocks, contemporary
electronics and early
video games / retro
car catalogue images / six-wheelers by French coachbuilders
Tissier.
Reconsidering Eero [Saarinen] at
Metropolis: 'Saarinen died young and very much out of critical favor, but the judgment of history seems to have turned for this long-neglected master.'
posted by things at 19:48 /
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Monday, September 19, 2005
Enjoy
Star Trek? The
System 47 screensaver (a free download for windows and Macs, via the
cartoonist) emulates the series' 'Library Computer Access and Retrieval System', or LCARS. Unbeknowst to us,
LCARS is a big deal out on the far reaches of the web, with the
interface appropriated for all manner of Trek-related information. Here's
another site, with enormous
quantities of information and trivia. See also
LCARS mania, a Japanese site.
A gallery of
latte art, another sub-culture. This
site has how-to videos, a site called
Coffee Geek has a '
frothing guide' and there's the obligatory
flickr set. A lot of these look like leaves, although that could be just us. We like the
lion. Bring the two obsessive genres together with
these mugs.
Vuk Vidor's work is ocassionally rather coarse (if blurry, a little like
Adam Connelly's paintings), but we like his series '
art history' / the
complete Pricing Game directory - rules of all 80 games from
The Price is Right /
Surf Guitar 101, an mp3 compilation /
illustrated envelopes from WWII / what can virtual worlds teach us about
economics in the real world?
The
Internet Movie Cars Database, where you can check out the filmic career of the
Citroen CX, for example /
SUV City: The Film, yet another salvo in America's auto-culture wars /
Molki's passions are six-wheeled cars, whether
real or
fake / more
shooting brakes.
The
London Design Festival is currently running, with lots of talks and exhibitions across the capital. A fiver says we'll miss
everything.
Check Friday's comments for a pithy summation of a child's life in a modernist gem: 'It drove me batshit.' We have
two new photo galleries - we're seriously behind with our daily photos and the
two sets of St Petersburg pictures were getting a bit dour.
posted by things at 09:18 /
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Friday, September 16, 2005
The
joys of living with modernism, or how you need thick skin to exist within thin concrete walls. Keep an eye on
The Modern House if you want to join these lucky people. Deep pockets required. Related, new
Guardian columnist Simon Jenkins has a go at Frank Gehry's proposals for Hove:
Give these people an inch and they take a city. The scheme has
come a long way since the
early proposals.
Spoilt Victorian Child on Blast First's epic
Devil's Jukebox, the ultimate box set for indie completists circa 1989 /
Craftivism explores contemporary crafts. Round here it's all people making vastly expensive hand-made t-shirts for children, expensive presumably because they need to make some kind of living out the process. This then creates a kind of feedback loop of inflation, whereby other people see the high prices and come to believe that they too can earn money from making children's t-shirts, and before you know the market in high-end children's t-shirts is totally saturated.
Alex at
Rotational has some excellent posts up at the moment, including a chat with legendary designer
Ken Adam and a
thoughtful piece on
Studio Libeskind's new
Danish Jewish Museum (more images at
Arcspace), clearly showing the new insertions into the original building, a twisted path with obvious symbolic overtones.
The
Lego Digital Designer, one of many fascinating things linked at
Pasta and Vinegar / buy
4,100 issues of the
New Yorker / we thought these
unidentified men were strangely placed as well /
psychics on test /
insert credit, a game weblog /
Slit Scan photography, the creation of the special effects in
2001 (via
ask me-fi) / an interview with
dooce, which recommends the
3hive mp3 weblog.
Anyone know where we can find a torrent of
49 up? We'd rather not wait seven years for the next one.
posted by things at 13:50 /
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Thursday, September 15, 2005
Alfred le Grazia's concept for a new Utopia,
Metropolis 1976, was for a linear city of half a million people. It was boldly anti-auto: 'Private cars should not be permitted in the city. Private cars should be stored on the periphery with maximum 30 minute access from any house.' See also
The Ten Stupidest Utopias! (via
kottke), at
Strange Horizons, the weekly web-based magazine 'of and about speculative fiction'. This list controversially includes 'The Postwar American Suburb', described as 'the definitive "no place," an empty parking lot sitting where our past and future should be.' Somewhere between these two concepts lies the answer, yet no-one's managed to put it into bricks and mortar just yet. Also helpful, Stefan Metaal's
Urban Sociology Site has an
Urban Field Glossary.
A few years ago, the lazy journalist's research shortcut involved typing their subject's name into Google and then starting their article by marvelling at how many hits (or not) it received (Google's
Zeitgeist page neatly summarises this data). Today, we have
eBay: a far better way of discerning trends isn't what's being written about, it's what people are
selling. This
USA Today article looks at 2004 through eBay's eyes, concluding that more older people are using the auction site: 2004's top search term was '
RV' (2002's was 'Gucci', 2003's 'BMW'). The article also notes that pink was a fast-moving colour, the eighth-most searched for term in 2004, and, in a spike that's sure to be repeated in 2005, items related to post-hurricane rebuilding ("
lumber, plywood, molding" and "
Windows, screens & hardware") both accelerated rapidly after the year's
four Florida hurricanes.
Turns out that eBay's API
isn't as user-friendly (or as free) as other sites that track social trends. It's a shame, as an 'eBay zeigeist' tool would be fascinating. For a start, the burgeoning trade in so-called '
retro' design items, a catch-all words that appended to a huge variety of auctions as a means of luring a certain type of punter. We appear to have reached a stage when objects can be 'modern' and 'retro' simultaneously.
*The razor blade arms race accelerates with
Gillette's introduction of the
five-bladed razor, via
me-fi. It's a seemingly
endless quest for the perfect shave, and more blades clearly equals more efficiency. That first thread includes a link back to the golden days of
Saturday Night Live: the
Triple Trac. The company also stands accused of embedding '
spy chips' (i.e. RFID devices) into its products / were it not on the
Reuters site, one would assume
this was a spoof (via
kottke) /
Garnock Books, used book sellers.
At the unusually-named
Occult Design weblog ('exploring a marriage of design's problem solving and the occult's shift in context and intelligence', apparently) /
How to disappear in America without a trace. A bit like a long, long
ask me-fi answer (originally, yet again, via
kottke) / currently on, the
Frankfurt Auto Show. Taken from the 2003 show:
unveilings /
Schaukasten, 'a blog dedicated to the aesthetic values of movie art beyond the screen' /
Hobart, a literary journal.
posted by things at 09:30 /
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Tuesday, September 13, 2005
Yet another modernist classic bites the dust, as Gordon Bunshaft's
Travertine House of 1963 gets the bulldozer treatment, thanks to owner Donald Maharam. According to author
Kenneth Caldwell, the demolition is all the more ironic given Maharam's
2004 citation from the
Russel Wright Center for 'honoring modernism'.
Maharam runs a fabric shop by the same name, famed for re-issuing classic modernist patterns.
*Raytracing is a peculiar genre. Without question, there's
immense technical skill on display here, yet the resulting compositions are strangely lacking. The
Internet Ray Tracing Competition has been running for
nine years now, and there's always been something very
MBS about the aesthetic, as if the cover of
The Little Book of Calm became fused with something more meteorologically ominous. We also detect hints of an
post-religious apocalyptic future; still, we believe, the
modern incarnation of traditional romantic landscape painting.
*The paintings of
Peter Doig /
Fiat Coupe History /
Schleich make superior plastic toy animals /
helmintolog, a weblog by Andrew Brown, author of
The Darwin Wars /
wine label gallery /
Deutschland, 1929, via
me-fi and others / the Americans have
awful awnings, we just have vestigial balconies that hang limply off facades with no terrace space to shield and no way of reaching them.
posted by things at 08:57 /
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Monday, September 05, 2005
Thomas de Zengotita's book
Mediated starts with a cracking anecdote, a story from the author's days at a high pressure, high emotion New York drama school. One day, the class is limbering up, all leotards, sixties haircuts and minds full of
The Method, when a teacher bursts in and breathlessly declares that the president has been shot, then exits rapidly. The students look at one another, confused, until someone realises that this must be a cue for an
improv. Various levels of dismay, outrage and despair are then exhibited, drawn from the very depths of their freshly scraped psyches. Yet after a few pained minutes of emotional intensity, someone else comes by and confirms that, yes, the president really
has been shot. All at once, the facade crumbles, and the acting students are torn between two states - real emotion, or fake yet somehow more
authentic emotion.
De Zengotita tells this story to illustrate what he believes is a crucial disparity between contemporary culture and that of perhaps 50 or 60 years ago: we want to emote and associate with
everything, and in doing so we have lost any perspective over what is real and what is not.
If only the rest of the book built more effectively on this atmospheric beginning. But it's hamstrung by a very awkward style - short, chatty sentences and over-familiar observations that gradually leech away at the reader's empathy with the premise. It's not that the premise is flawed - but as de Zengotita himself notes, what he's saying is ultimately rather obvious, making the book the cultural version of the experiment that can't be observed as the act of observation will change the parameters and therefore results. De Zengotita is best when he's describing the way America's current president has shaped himself, almost sub-consciously, to fit the ideals and aspirations of his core voters, a self-mediated person who, paradoxically, portrays himself as naive and homey, untainted by the complexities of modern media.
Interestingly, the book has a different subtitle to the
US edition, where it's flagged as '
How the Media Shapes Your World and the Way You Live in It', whereas in the UK, it's just '
How the Media Shape Your World', with a changing plural on 'Shape(s)'. Reviewing the book in the
Observer,
Peter Preston observes that 'no generation before had such a bank of mediated memory to draw on', and that today's nascent generations are simply ticking a plethora of boxes in the way they shape their identities, spreading allegiances and passions thinly, creating a general feeling of apathy rather than burning intensity. Somewhere along the line 'they way you live in it' was deemed an unnecessary tautological addition, implying that it is the shape of the world that matters most, and everything else is conditioned by that perception.
*Elsewhere. All is not so rosy at
Bo01, the sustainable Swedish eco-village on the old docks at
Malmo - also home to
Calatrava's Turning Torso (official site
here). The town is the location of the giant
Kockums shipyard, which recently built the Swedish navy's
Stealth Ships, the
Visby class
Corvette (an idea that hasn't really been widely taken up by any other seapowers: only wealthy individuals who like the aesthetic: see the
Wallypower 118). Bo01 was facilitated by failing industry, and the city was once home to a large
Saab factory, which is now being
magicked into a new city quarter (seen
here with the giant Kockums crane to the east).
Attending any kind of trade show, event, launch or whatnot usually results in a bucketful of freebies (or 'swag') - the entertainment and media industries seem especially guilty of
doling out all manner of non-monetary incentives (with the
Oscars traditionally representing the
state of the art). But what kind of riches would one find at a trade show
devoted to promotional items? You clearly need no more encouragement to visit the
National Incentive Show, with exhibitors like
The Coaster Company,
ExpressPendrives.co.uk,
Laser Crystal Ltd and the
Snazzybags company all champing at the bit to give you superfluous
stuff.
Alex Ross's
The Rest is Noise is a weblog with a classical music focus /
CaveHack, a freeware retro game / on
architectural plagiarism, specifically the Freedom Tower's ongoing
issues. See also
these posts collected together by the
Annotated Times, which tracks blog postings about NY Times articles (which promptly expire like goldfish out of water) /
Unfortunate Books and Records / random
scans, including this disturbing-looking book,
The Shelter Trap /
science fiction book cover pool /
sleazy reads / yet more flickr browsing, this time London urban archaeology:
Rabbit phone point.
That
Brutal Joint, an architecture weblog /
eMercedesBenz is an unofficial weblog /
'mini' cars /
Antique Toy Vehicles, just one section of the vast
Adamstown Antiques Gallery / a powerful piece of writing:
Shadows everywhere / make virtual creatures with
Modulobe (via
hippoblog) / the end of the original
RAND Corporation HQ. The company itself is
still going strong / the
Mythologist, the life of
Henry X / the musical autobiography of
Henry Cowell /
Media Mediators, experimentations in interface design / overhead on the
Today program in a discussion about China's thus-far responsible approach to climate change: 'they're still trying to heat their houses, whereas we're heating our gardens and the Americans are
air-conditioning their gardens.' And
it's true!
Apologies for the intermittent postings. We're working away at the next
print edition - when we're not travelling - so time is quite tight right now.
posted by things at 12:23 /
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Friday, September 02, 2005
Pentothal Postcards is a new book by David Lai, telling the story of an early guerilla marketing campaign - for the anaesthetic Pentothal. Hand-written
postcards were mailed from around the world to doctors and nurses, each extolling the virtues of the drug. They're now
collector's items, and the book brings together half of the total sent between 1956 and 1968. See also this fine archive of
anasthesia publicity.
Divya at
Nimbupani points us to a flickr pool of
Singapore Typeface history, 'through pictures of Singapore buildings, road signs, toilet signs, and even sewage lid typefaces' / via
metafilter, you're going to like it. But not a lot. The
Paul Daniels weblog /
Hupix showcases some impressive mobile phone photography / a
Gallery of Computation: computer generated imagery and animations.
An autoblog round-up - an aide-memoire for us as much as anything else:
car connection,
Jalopnik,
autoblog,
le blog auto / a
visit to Imber at the World of Stuart. See also the rant about
MAME, emulation / fine art photography at
Lumas. We especially like the work of
Julia Christie,
Michael Danner,
Margherita Spiluttini (who has
her own website),
Jorg Fahlenkamp's model houses and
Kai-Uwe Schulte-Bunert's glacial imagery of architecture.
Both
Life in the Present and
Exclamation Mark take a break from presenting links / the
Visual Arts Weblog of Minneapolis's
Walker Arts Center (via
eyeteeth). One of the Center's upcoming exhibitions, put together under the auspices of new Design Director
Andrew Blauvelt, will be called
Some Assembly Required: Contemporary Prefabricated Houses, which opens in December 2005. The Center is also notable for its
Herzog & de Meuron-designed extension.
Preoccupations, a London-based weblog /
London Belongs to Me, a weblog (via
i like's latest likes /
Bronze Age Fox, a Bristol band with a strong sense of style / cute, tiny
javascript animation (via
offmessage) / post-
Katrina Images at the
Washington Post /
Noshe.com, home of photographer Andreas Gehrke, has been re-designed / the
ReBirth Museum, re-visit (and download) a classic software sequencer /
improvising sub_Base landscapes, another fascinating
Archinect post, this time looking at escape tunnels, smuggling tunnels and squatter camps. Also via the site, is
MVRDV's Dutch Pavilion really
up for sale?
Jeremy Reid's Backyard Roller Coaster (via
j-walk) /
Marginal Utility, 'dealing with contemporary consumerism, capitalism, and the life it permits,' via
consuming things /
airline timetable images / our entries in
delicious remind us to change the subtitle of this page on a more regular basis...
posted by things at 09:48 /
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