things magazine / about / what's new? / archive / photos / projects / order / rss
photography from the pre-flickr era
projects, scans and collections
Where is things 19/20?
What is things magazine?
external links
0lll
2 or 3 things I know
actar
agence eureka
aggregat 4/5/6
alice the architect
all about nothing
alttext
anarchitecture
anti-mega
apothecary's drawer
arcspace
arch daily
archibot
archinect
archidose
architectural ruminations
architecture.mnp
archnewsnow
arkitektur
art fag city
art is everywhere
art newspaper
arts journal
artnotes
ashleyb
atelier a+d
ateliermob
atlas (t)
badaude
bifurcated rivets
the big picture
blanketfort
bldg blog
blissblog
boing boing
b******* to architecture
bottom drawer
bouphonia
bowblog
bradley's almanac
butterpaper
cabinet magazine
cabinet of wonders
candyland
cartoonist (the)
cartype
caterina
cheesedip
city of sound
city comforts
collision detection
conscientious
continuity in architecture
core77
coudal
creative review blog
curious expeditions
daily jive
dancing bears
daniel eatock
dark roasted blend
death by architecture
delicious
delicious ghost
deputy dog
derelict london
designboom
design bivouac
design observer
dezain
dezeen
diamond geezer
digitally distributed environments
diskant
efimera
ephemera
excitement machine
eye of the goof
fantastic journal
fed by birds
feuilleton
ftrain
fireland
Ffffound!
further
future feeder
gadgets.fosfor.se
gapers block
giornale nuovo
greg
grow-a-brain
haddock
halvorsen
hchamp
hyperkit
hyperreal and supercool
i like
iconeye.com
incoming signals
inhabitat
irregular orbit
iso50
jean snow
josh rubin
judit bellostes
kanye west
kazys
kosmograd
kottke
landliving
languagehat
largehearted boy
lewism
life without buildings
lightningfield
limited language
literary saloon
low tech magazine
made by machines for people
made in china '69
magCulture
making light
map room
material world
mcsweeneys
men's vogue daily
metafilter
metafilter projects
militant esthetix
mimoa
miss representation
mocoloco
monocle
monoscope
mountain 7
mrs deane
music thing
netdiver
no, 2 self
no sense of place
nothing to see here
noisy decent graphics
noticias arquitectura
NTK
nyclondon
obscure store
obsessive consumption
one plus one equals three
open brackets
outer spaced
overmorgen
panopticist
parenthetically's
partIV
pcl linkdump
the peel tapes
personism
platforma arquitectura
plasticbag
pointingit
polar intertia
plep
print fetish
the quiet feather
raccoon
rashomon
re: design news
reference library
rock, paper, shotgun
rodcorp
rogue semiotics
rossignol
rotational
route 79
russell davies
sachs report
salon
samuel pepys' diary
school of life
scrubbles
sensory impact
sesquipedalist
shapes of things
sharpeworld
shift
shorpy
sit down man, you're...
slowernet
snopes
soup du jour of the day
space and culture
spambot_stopper
speak up
spitting image
strange attractor
strange harvest
strange maps
subterranea britannica
subtopia
sugar-n-spicy
supercolossal
superspatial
swapatorium
swiss miss
tecnologia obsoleta
tecznotes
telstar logistics
tesugen
textism
that's how it happened
the art of where
the deep north
the gutter
the model city
the moment blog
the morning news
the nonist
the one train
the serif
the white noise revisited
they rule
things to look at
this isn't London
tom phillips
transpontine
travelers diagram
turquoise days
typographica
urban cartography
vitamin q
voyou desoeuvre
vwork
wallpaper
we make money not art
weblogs.com
weburbanist
where
whitelabel.org
wikipedia
wikio
witold riedel
whole lotta nothing
wood s lot
wrong distance
xblog



check box to open all links in new window

weblog archives
eXTReMe Tracker
Wednesday, October 29, 2008


There's a void at the intersection between aesthetics and technology. When someone suggests that robotised and computerised house-building could revolutionise a rather staid and conservative industry, the mental image is of baroque concrete follies and slick, appliance like pre-fabs that ape German cars in their build quality and attention to detail.

The truth is unfortunately more prosaic. Aesthetics are running far in advance of manufacturing technology. While creations like Enric Ruiz-gelli's Villa Nurbs are possible, they ultimately are still bespoke objects, plotted on computer but stitched together layer upon layer like a piece of marquetry.

Consider the case of the concrete house printer, the ultimate pre-fab making machine. First mooted back in 2004, the 'Contour Crafting' project, helmed by Behrokh Khoshnevis, has recently given funding by Caterpillar.

Khoshnevis, working at the University of Southern California Viterbi School of Engineering, initially created a system that is necessarily rather angular, as you can see from this YouTube video; right angles dominate. The idea has evolved, as shown by this small scale contour crafting device which can do curves but looks rather impractical to scale up to house size. The Contour Crafting website demonstrates that the solution would be a mix of the two, but would still fall far short of the generative fantasies that represent modern futurism.

The original Contour Crafting announcement resulted in this New Scientist article, which quotes Greg Lynn as saying that "I believe that aesthetically there's a great potential to make things that have never been seen before." Yet Behrokh Khoshnevis's ambitions - "to be able to completely construct a one-story, 2000-square foot home on site, in one day and without using human hands" - were more about volume than aesthetic innovation. This is the kind of future cityscape a robotised army of Contour Crafting machines would create:



*

Other things. The Quiet Feather bows out / the Sesquipedalist moves on to a new iteration / a new publication via Archinect and InfraNet Lab, [bracket]. The html for that is going to get irritating / Saudi car culture (video) / huge collection of old car brochures for sale / the website of the book Medical London (via Further) / stolen novels, a great but bizarre story / crashed plane in Russia.

Paintings by Oana Lauric / the ladies of Star Trek, both via Rashomon / on Chaplin's Modern Times / the Swaggart Bible College Dorm, a gem of late evangelical brutalism at Abandoned Baton Rouge / Old Milwaukee / four years on, and Lynn is clutching a Golden Lion, saying "We Want Your Toys.

Labels: , ,