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Monday, October 22, 2007


The state of Late Period Modernism. Ed's Shed, the story of a house, a neat box of timber and concrete. Utterly contemporary (designed by David Adjaye, no less), yet also timeless, with a vague sense of drifting from era to era. Or try Camp Bastion, the story of a military base. Recent winner of the Judges Special Award at the British Construction Industry awards, Camp Bastion cost £53m and was completed in 4 months. The site, in Helmland Province, contains barracks for 2,350, a 50-man hospital, helicopter base and 1,000m runway (that £53m cost gets rounded up (?) to £1bn by the Independent). Finally, 'One man's grand ambition gives veneer of bling to an ancient land', the tale of (life) President Nursultan Nazarbayev of Kazakhstan and his attempts to build a new Brasilia on the steppes. Pearman wrote fairly eloquently about the aesthetic fiasco that is Foster's 'Pyramid of Peace', but the official site of Astana City is right on the money, a combination of SimCity Societies, Second Life and Ebeneezer Howard, replete with graphs and tables, optimistic announcements with a ring of the Five Year Plan about them.

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Two from Pruned, a post about Ferropolis, the theme-park / graveyard of retired digging machines, and the ensanguinated Trevi fountain / nice to appear on this list of the Top 100 UK blogs, although we're poised right at the bottom of the league table / Normal Bias, 'scanned' audio tapes (via me-fi projects) / a set of images of Arcosanti, looking rather ravaged and forlorn.

DNA Art UK, splash your genetic fingerprint about. Related, the man with the magic box gets his comeuppance / home-made helicopters / Pasta and Vinegar, a weblog focusing on user experience / Glancey on BMW Welt, W* on Welt / a collection of Estonian Schoolbooks, at Fed by Birds / amp power, snappy culture reviews / electronic audio nostalgia at hollow sun / the 10 most fabulous key fobs / violins and starships, a weblog / infinite thought, a weblog / The Midnight Bell, a weblog.

There's not enough online about Rapid Eye Magazine, save the occasional tribute to its maverick and detached take on pop culture in all its more twisted manifestations (an anthology can still be bought through Creation Books. In the pre-internet era, Dwyer's stream-of-consciousness writing, densely layered with references to arcane practices, myths, drugs and general strangeness was like dipping into a mysterious world, a place of the imagination, not Google-induced instant gratification.