Wednesday, May 31, 2006
Moving Serra, just how do you move and install Richard Serra's vast works? Back when the
Saatchi Gallery was still in
Boundary Road, 'the only solution was to knock down the caretaker's flat and knock a hole through the exposed wall into the main gallery space.' Related, an online biography of
Damien Hirst, not updated since 2002. In recent news, Hirst is trying to create the world's
most expensive work of art.
The
British Board of Film Censors' website sets out the all-important UK certificate for the
latest films. For the past few years the BBFC has also added little explanatory boxes revealing potentially offensive elements or sequences in the film. Which recent blockbuster 'contains sustained threat and images of fatalities that may disturb'? And what does the warning, 'Contains mild slapstick' allude to? Although the occasional spoiler is revealed, it's not quite up to
CAP alert levels of
thoroughness: 'excessive cleavage and focus on it including downward angles, repeatedly throughout' being a typical quote.
International round-up. There's something slightly
Couplandesque about the
Canadian Design Resource, which has an
official gallery to bring together icons and classics from around the country /
Val Bavona is a Swiss valley, and winner of the 2006
International Carlo Scarpa Prize for Gardens / New Orleans is '
sinking even faster', with some districts deemed 'death traps.'
Two interesting segments in
this week's edition of Radio 4's
Thinking Allowed, covering Polish migrants to the UK, and the story of the shipping container, including an interview with Marc Levinson, author of
The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger. Before the dawn of the 'box', Levinson quotes one expert as saying that "a four thousand mile voyage for a shipment might consume 50 percent of its costs in covering just the two ten-mile movements through two ports."
posted by things at 22:55
Tuesday, May 30, 2006
Tall stories, the
International High-Rise Prize 2006. See also
New York 2016, an insider look at NYC's future skyline (via
curbed), predicting that the apparently contradictory ideals of
Robert Moses ('Cities are for traffic') and
Jane Jacobs ('It was the roads I saw as being the destroyers') will finally come together in perfect harmony. More like journalistic wishful thinking. Side note. Jacobs on the General Motors
Futurama exhibit at the 1939 Worlds Fair: 'Oh, I thought it was so cute - it was like watching an electric train display somewhere, you know? It was just very cute' (that link was culled from the extraordinary '
Boozy: The Life, Death, and Subsequent Vilification of Le Corbusier', which begs further investigation). See also
vanished New York.
A historical timeline that steps into the
future /
Time Travel Maps: how long does it take to get across the UK - 'warm colours indicate short journeys and cool ones longer journeys'? By
rail from Cambridge, for example. We've mentioned these before, but the most interesting element of the research is how it reveals urban '
pockets' with generally poor travel links; looking at South London reveals how some of these pockets are actually rather desirable places to live, if, of course, you have a car.
Arkinetia, an architectural website that sifts through online portfolios for the new and notable / a shrine to
David Hemmings, star of Barbarella and
Blow-up; the latter is also the subject of
an exhibition at London's
Photographer's Gallery /
Zillow is a US-only site that gives you the low-down on a prices for any specified residential address in the US. For European-based browsers, you get a set of
famous addresses to look through / building
Utopolis, a future city made of Lego. Via
moco loco.
Dumb Angel revisits the haunts of California surf culture past. See also
Capturing the Perfect Wave, a hefty collection of surf photography by
LeRoy Grannis, one of the masters of the genre /
BLDGBLOG chats to
Mike Davis (part
II).
Why does entering the full URL (e.g.
http://www.thingsmagazine.net/index.htm) render all funny characters (e.g. the accent on cliché) correctly, but entering the basic URL (e.g.
www.thingsmagazine.net) bring up accents as a question mark?
posted by things at 13:05
Friday, May 26, 2006
What is Beauty? Or, On the Aesthetics of Wind Farms, Justin Good on the philosophical implications of what has become quite a
divisive issue in the UK. For everyone who lines up to
berate their appearance ('Standing more than 100 metres tall, they have transformed our bucolic retreat into a futuristic film set'), someone else counters that they think turbines
look great (and even
offshore power has its vociferous
opponents). Good's article raises the perpetual battle ground of subjective versus objective, a war of opinion that no-one will ever win, although he concludes that their marrying of form and function, closely allied to natural processes, makes a turbine objectively beautiful.
Perversely, we'd like to imagine a ruined wind farm. When will the first turbine installation fall into disrepair? For now, these
distant objects loom on the horizon like
Tripods, stark reminders of the need to manage resources more carefully. The page with the Tripod reference also contains this chronology of
Science fiction at the BBC from 1953-1998, as well as noting the UK's penchant for
post-apocalyptic television. 'Dead pylons are something of a cliché in post-apocalypse television, as the most obvious symbol of the modern age on the rural landscape.' The imagined image of slowly-turning wind turbines, their blades generating power for a non-existent grid.
*The Ship that Sailed to Mars, an early science fiction classic online / Flickr's
Single Leaf Extravaganza pool / a fine photoset of UN Studio's new
Mercedes-Benz Museum at
Kultureflash / a database of
camera design / a
great portrait at
slower / drawings by
Marcel Breuer and
Street and Dime novel covers, two galleries at the
Syracuse Digital Library.
Trevor Paglen's Limit Telephotography project uses 'unorthodox viewing and imaging techniques' to 'produce images of hidden and extremely remote landscapes,' namely
Groom Lake (seen here from a distance of over 26 miles) / we're late to this one:
International Urban Glow. Night photography / why Melissa Gould's
Neu-York map is deeply flawed.
Book Covers, a celebration of the art. For a good insight into the process, read
Chip Kidd's excellent
Book One (and read the
Birnbaum interview) /
Creative Criminal is a weblog concerned with advertising aesthetics /
Tango parodies
Bravia / flying
Aston Martin /
moo box / new slang coinage in Ian McEwan's
Saturday? No,
geographical accuracy.
Modernism for sale.
Berthold Lubetkin's
Highpoint penthouse is
up for sale. You can imagine the
big B, gin and tonic in hand, surveying his contribution to 50s and 60s London, from
gorilla house to
mass housing. The apartment was apparently the model for
Emma Peel's pad in the Avengers, although from the screengrabs it doesn't look as if it was actually shot there. Lubetkin's major private commission in London,
Six Pillars, is also currently on the market. See also Connell, Ward and Lucas house on
Hayling Island. I once got locked out my
Austin Metro on the driveway of this house. It was very embarrassing. (related, a Flickr set featuring
Dragons, a C,W and L house in Sussex, amongst other modern movement buildings). Across the Atlantic, Edward Durrell Stone's
Richard Mandel House is still for sale. Here the modernist aesthetic has given up all pretence of any social relevance and has morphed into a grand style for the nouveau riche.
Worth re-visiting, as it's being added to all the time, the
Kidder Smith Slide Archives on American Architecture. Staying with architecture, a collection of teaching images from a Chinese architectural website, complete with slightly amateurish
drawings and
models. The attempt to model
Peter Eisenmann's House III is ambitious in the extreme.
Unboxing is the ultimate thing fetish, promising 'Vicarious thrills from opening new gear'. Personally, we've had it up to here with unpacking boxes and disposing of great sheets of polystyrene and cardboard (via
gadgets.fosfor.se) /
newspaper clipping generator / the
Landscape Urbanism Bullshit Generator (via
archinect).
posted by things at 09:59
Wednesday, May 24, 2006
Urban 75 has a good collection of London's
lost and abandoned stations, including
East Brixton (we also like the old
Rye to Camber line, which would have been handy last weekend). Over in San Francisco, these
urban scars are observed by
tecznotes; the overbuilt and overgrown remnants of a railway line. Reminds us of
aerial archaeology, which has a big presence online. Start with this useful guide by
Alison Deegan, check out images of ancient settlements in
New Zealand,
England and
Jordan, or read about the work of English Heritage's
aerial survey team.
The
Swapatorium unearths a wonderful series of photographs from the
Macy's Thanksgiving Day Parade, c.1932. They have a certain surrealist, almost
nightmarish, quality / more found things: a set of colourful cards setting out the
code de la route, scanned by
Agence Eureka.
A Short History of Acoustic Locators, the
Kircher Society turns its attention to the skies, with a link to this well-illustrated resource on
acoustic locators, depicting all manner of trumpets, tubas, horns and dishes. More about the
Sound Mirrors in Greatstone, Kent.
Strain Andromeda the is artist Anne McGuire's homage to the Michael Crichton thriller
The Andromeda Strain. The film has an excellent
Wikipedia page. This
Italian poster makes the film look far older, and not the carefully art-directed masterpiece that it is /
The Shipping Forecast, a weblog.
Yet more musings on the
uncanny valley, this time over at
collision detection. Compare, contrast and collide with this:
War vets feature in US army game. The US Army is mapping real soldiers into the latest version of
America's Army, so they can tell you about their experiences.
PartIV, an architectural weblog /
high winds in Shanghai, how the city's skyscraper building boom is turning ground level into a wind tunnel / some useful hints about watching Siena's famous
Palio / the full, eye-popping lyrics to R.Kelly's
Trapped in the Closet /
Jamie Hewlett wins the
Design Museum's annual
Designer of the Year prize.
posted by things at 12:17
Tuesday, May 23, 2006
Raccoon maps a
work in progress, using Excel to track the various characters and actions in a dense novel. Also referenced is the work of
Danielle Aubert, and her project
58 days of Microsoft Excel drawings as rendered for web (also in book form). Finding beauty of raw information, or even the building blocks for raw information. We're also reminded of the work of designer
Daniel Eatock, which revels in systems and their subversion and intrinsic interest. See also
planning through drawing, an attempt by Xanthe Wells to create 'a symbolic image that holds the outline and construction of my work within a single drawing'.
Hours and hours of music from the
80s and 90s, courtesy of this carefully compiled page /
Plans, a photographic project by Aneta Grzeszykowska and Jan Smaga (via
kottke), 'an attempt to see everything at once in someone's apartment, without selecting or evaluating, an absolute X-ray of privacy /
Chris Summerlin's excellent
gig posters / many, many
receipts scanned in for future generations to mull over at
Sorabji. Other picture essays on the site include
stuff that people write on money and
soundcrap, found and forgotten sounds.
Living in a dream charts some of the woes and issues that have beset
BedZed, the 'Beddington Zero Energy Development', architect
Bill Dunster's innovative housing scheme in Sutton. See also
A House Called Turbulence (architect link to NYT story, which will rapidly expire), the rather messy saga of a New Mexico guest house commissioned from
Steven Holl. In the best tradition of avant-garde architecture by forceful personalities, it turns out the
Turbulence House is unfinished, over-budget, over-designed, non-functioning, leaking, and either too hot or too cold. It also bears little resemblance to what the clients actually asked for in the first place.
posted by things at 12:36
Thursday, May 18, 2006
The Art Life has a post on the
Dashanzi International Art Festival outside Beijing, housed in the city's vast
798 Space (more images:
I,
II), a vast former factory, 'designed by the East German's architects in the Bauhaus style in the early 1950's'. The exhibition is pretty visceral stuff; nevertheless, the Dashanzi festival was still
censored by the authorities. Architect
Bernard Tschumi exhibited a
scheme for the site at
Venice in 2004, overlaying the original factory with a
horizontal tower containing, naturally, 'luxury apartments and hotels'. Tschumi's plan is actually an attempt to
save the new art district, which is primed for Chinese-style total redevelopment.
*A strange, salacious little news story from
The Northern Echo, of all places (via
malbec). '
The sex slaves of Darlington' reveals a hidden subculture of subservience apparently drawing inspiration from
John Norman's rather revealing
Gor series: 'One neighbour said: "This is a Christian country and you don't really need that sort of thing here. This country's going down the pan."' See the
wikipedia entry for more about this strange world. We wonder how the Darlington Branch of the Goreans and the Kaotians deal with Earth's resolutely normal gravity, for example. Why is it that prodigious writers of pulpy, elaborate fiction spark such complete devotion?
L.Ron Hubbard and
Ayn Rand spring to mind. If only there were some kind of
Jilly Cooper based sub-culture.
*A weblog round-up:
Short Story of the Week, which we found after it picked up on Markus Nummi's
Adieu Paris from
things 17-18 / Karen D'Amico's
fluid thinking, on London art and more /
unusual and imaginary maps, a resource /
Resarch.net, the website of Brett Steele, director of London's
Architectural Association. Steele is an
unabashed futurist /
i like transmogrifies into a fully-fledged weblog, which is rather satisfying /
shop Scandinavian / the
super-garage, a new architectural form? / the money pit: how the legendary treasure of
Oak Island keeps eluding everyone.
Music as Therapy is holding a
Secret Postcard Sale in South London on Sunday. A good cause, well worth supporting. This kind of sale originated at the
Royal College of Art (see the site for
RCA Secret 2005, which featured 2,700 cards with a fair smattering of famous names amongst them).
Hot on the heels of
the modern house, our favourite slice of internet-based imaginary real estate, comes the Singapore-based
UrbaneSpaces. However, there are bizarre undertones to the site, not least the subtitle, 'Urbanites Uber Alles', with its link to the
German national anthem, the and the shaved head image bearing a quasi-fascistic seal. Are we reading too much into this?
posted by things at 10:11
Tuesday, May 16, 2006
Contemporary arcana: the
blast door map from
Lost (assume spoilers for non-bittorrent UK viewers). Fulfilling a contemporary need for unreason, we seem to lap up this type of carefully crafted, focus grouped and drip-fed
mystery, a desire for the unknown that counters the sheer weight of
real digital data that's created every day, heaping layer upon layer on our environments until all the mystery is banished forever.
Delve into the
National Archives, whose featured documents sound like the site is an old-school version of the
Smoking Gun - '
Girl absconders from approved schools soliciting American soldiers in the streets and spreading venereal disease'. Sadly you can't actually read these online, so try the
exhibitions section for
scans and images.
Tropolism, an architecture weblog we don't link to nearly enough / Over at
Ping Mag, the remarkable imagery of architect
Luke Chandresinghe, whose Institute of Ideas turns the
Patent Office into a combination of
Gormenghast castle and the
Autostadt car towers; ideas move up one storey each year: "After 20 years they reached the 20th floor where the ideas are no longer protected."
Michael Wolf's latest photographic project,
100x100 (seen on
me-fi). Hong Kong living, captured, the interiors of the exteriors Wolf was previously known for. See the
Architecture of Density, previously mentioned /
Gallerisation will sell you map imagery, with that old chestnut, the
tube diagram surfacing once again / 'map of the various
paths of life,' 1805 / another
imaginary map.
Staying small, Fiat are currently undergoing a big PR push for the forthcoming
Fiat 500 city car, launching a site that claims to 'want your ideas to help us build the new icon of Italian motoring'. The whizzy flash site has sub-games that allow you to pimp your ride, change colours, etc., all based on the
Treipuno concept that was shown two years ago at Geneva. This gives the general form language of the new 500 (far larger than the
original, of course), but doesn't reveal that far from being a unique little piece of modern motoring technology, it'll share a large amount of technology with the next generation Ford Ka, making the clip-on components of the website an accurate reflection of today's car market: choose your product according to your taste and self-perception. There's also an incredibly open-ended competition held in conjunction with
Designboom.
The 2006
Turner shortlist has been
announced:
Rebecca Warren,
Phil Collins,
Tomma Abts and
Mark Titchner. Let the brickbats sail forth / Sun Zi,
The Art of War (
via) /
card tricks for beginners / make
papercraft motorbikes, if you have the patience / a history of the yellow
legal pad.
posted by things at 12:47
Wednesday, May 10, 2006
The
droodle-
logo'd Road Witch Trials, where Zappa, Mark E.Smith and the surrealists combine to battle traffic and congestion in Oxford. This doesn't make a lot of sense without the images, but involves leaving dummies - 'road witches' - in places were persistent pavement parkers are likely to be annoyed / Pavement parking is a modern manifestation of some kind of innate violence, perhaps. 'Early Neolithic Britons had a
one in 20 chance of suffering a skull fracture at the hands of someone else and a one in 50 chance of dying from their injuries.'
Bulgaria's fleet of
fast police cars appear mostly to be vehicles stolen from Western Europe and then confiscated. Nonetheless, ever since the classic
Polizei Porsche (something to do with autobahns), the act of putting a badge and stripes on a high performance car is deemed simply hilarious by the
Gumball crowd. Even manufacturers are getting in on the act, like the celebrated
Gallardo police car, worth countless thousands in free publicity for Lamborghini. On the other hand,
this probably won't garner as much good will (but we like the machine translation of the page from whence it came:
Lobster the USA).
There's a hint at where
Michel Gondry gets some of his ideas from in this vintage
Jean Michel Jarre video for
Magnetic Fields 2. Related, download
Jarre in MIDI. They make corking mobile ringtones for the socially cavalier / all about the
Goodyear Blimp, with
historic photos aplenty / things to keep you on your toes, part 5:
Flying suicide bomber drones could be almost unstoppable / turn Google cityscapes into
3D prints (
via).
Evan Penny works in a similar vein to Ron Mueck, only with far less media attention. We like
Aerial, which is not all it appears to be
at first / we were recently quoted in a
Forbes article on the world's
Most Expensive Penthouses 2006, not the height of social responsibility, admittedly.
Anyone have any experience of
Myseasonpass.com? An rss torrent aggregator, by the looks of things /
eversion's excellent set of rss feeds at
bloglines / a graph of
historic house prices / yet more images of the
Bagger 288, one of those 'internet objects' that exists in the global subconscious (and can also be spotted in Google Earth if you zoom in close enough; look up Garzweiler, Germany).
Visit the Royal Borough of Kensington and Chelsea's
Virtual Museum, which includes
blue plaque maps / Britain's biggest new
country house. Above a certain scale, even the most modest of architectural approaches starts to lose coherence and integrity. This scheme is by
Feilden Clegg Bradley (now sadly without its
founding partner) / more on UK architecture at the excellent
B******s to Architecture, which recently had a spirited rant at
Kevin McLoud / 'there are 200,000
slums in the world', amongst other statistics.
Rbally's mp3 weblog. Live indie stuff /
Bend Me, Shape Me, Louis Goddard on the joys of circuit-bending /
space colony artwork: where's our
Stanford Torus? / the bizarre ergonomics of the
combimouse,
via /
Knickers Blog is all about underwear / a new issue of
Leisure Centre magazine, intriguingly themed around technology and its failure / buy a chunk of Le Corbusier's
Unite d'Habitation.
posted by things at 15:17
Monday, May 08, 2006
An
ask me-fi question: 'If you had to warn people
10,000 years in the future to stay away from a site, how would you do it?' Read the self-explanatory linked report, '
Expert Judgement on Markers to Deter Inadvertent Human Intrusion into the Waste Isolation Pilot Plant' and consider the problems of long term communication. Also, via this linked
me-fi post, '
The monumental task of warning future generations, which deals with proposals for scattering
warning symbols across the proposed
Yucca Mountain Repository for spent nuclear fuel.
The YMR is designed to 'continually isolate nuclear waste and protect people and the environment for at least 10,000 years,' ten millenia during which the unique combination of inquisitive and greed that characterises the human mind must be kept at bay. On past form, this won't be easy. 'We decided against simple "Keep Out" messages with scary faces. Museums and private collections abound with such guardian figures removed from burial sites,' notes the Expert Judgement. Guardian figures and objects might have proved benign, except perhaps in
Tintin, but even blatantly dangerous things can still hold an
often tragic fascination. Imagine the lure of a radiation warning sign, however strongly worded or graphically rendered.
Instead, some have suggested embedding the memory of these poisoned spaces into oral traditions, be they
myths, children's rhymes or popular songs, creating a collective cultural memory of the warning that would ultimately be passed down from generation to generation. It's a romantic idea, but as one of the posters
points out, "How many oral traditions that have been transmitted to you orally are you familiar with?", the answer is: none. All the oral traditions I know about have reached me through books, magazines or the web.' In other words, you need the back-up of available media, and even that is far from
reliable (something we've touched on
before).
An example of the relative failure of oral tradition to impart important, enduring information is the whole farrago surrounding UFOs. Why does no oral UFO tradition exist? In the past few days, an MOD
report into UFO sightings concluded that, frankly, there's not a lot out there (a question that's also recently been bugging the
SETI movement, '
But what if no one's out there at all?), although the soon-to-be extradited 'dangerous hacker' and UFO buff
Gary McKinnon would have you believe otherwise. Check the USA report density on this
UFO sightings map, a place where oral tradition long ago gave way to other far more influential forms of media.
Nonetheless, myths will inevitably surface. Assume the possibility of ensuring an uninterrupted span of 10,000 years, and that the dangers inherent in long-term nuclear waste storage manifest themselves somehow - leaks, perhaps. Just twenty years after
Chernobyl, the whole truth from that particular incident appears to have acquired a thick layer of
concrete, its very own
sarcophagus. The truth will perhaps
never be known, and the myths have already started.
*High Desert Test Sites 5, an art event in the desert /
how architects build brands; are 'built brands' good for the built environment? Probably not /
Fiat 128 articles. Bring back bright
green cars /
Nothing To See Here has launched, no thanks to us / designs and concepts at
Inhabitat, including a link to the
BOB, a mobile home concept by prolific Australian architect
Andrew Maynard. Related,
Pragmatic Experimentation, an interview with Cameron Sinclair of
Architecture for Humanity over at
Eyeteeth /
lesser known facts of World War II / buy '
Exclusive soil from Doel, Belgium. The city that will disappear!', an auction which bizarrely
links to us.
Kathryn Cramer's website, 'Overt Intelligence Operations and Wildcat Cartography' / the art of
Tom Phillips / yet more cartographic and artistic musings at
Moon River (where we found that
UFO sightings map)/
London hasn't changed, the psychology of the cityscape considered from
Charles Booth to the present day / a large selection of
paper models.
Atlas (t), an excellent mapping weblog / a huge set of photos from
The Sultan's Elephant (
official site). Flickr has over 4,000 photos with this tag. Ours is a bit young for this kind of thing, so our viewing of the whole spectacle was confined to seeing the elephant being prepared in the vast open space that surrounds Battersea Power Station (see
things past).
posted by things at 11:36
Wednesday, May 03, 2006
It's all about the attitude:
616 is the new 666 (via
me-fi): 'By using 666 we're using something that the Christians fear, [said
Peter Gilmore, High Priest of the
Church of Satan in New York], 'Mind you, if they do switch to 616 being the number of the beast then we'll start using that.' / more numerology: it's all in the
numbers.
Watch for
The Sultan's Elephant, stalking London this weekend. Inevitable galleries to be linked next week / North Korea's
Ryugyong Hotel is one of those internet icons that inspires endless
digital fascination and speculation.
posted by things at 16:02
Monday, May 01, 2006
The
Aspen Movie Map was an early experiment in recreating a real location as a virtual space, a precursor of today (and tomorrow's) in-car
navigation systems yet also a tool with a military application: 'to solve the problem of quickly familiarizing soldiers with new territory'. Nowadays, it's not just territory that can be previewed, but
whole scenarios: '
This is Urban Warfare'.
The Cricketing Yak, a mapping and data compiling project for cricket obsessives (via
me-fi projects) / a collection of
Disney self-plagiarisation / quakes caused by
spyplanes? / a nice addition to the genre of crop art:
Sycamore Farms, a project by visual artist
Matthew Moore / the
monome 40h, 'a reconfigurable grid of sixty-four backlit buttons', configurable for pretty much whatever you like.
When in Rome... don't listen to the Romans: on
Richard Meier's new
Ara Pacis Museum /
wind turbines from space / staying with Google sightseeting tours, some
giant holes / 'My god, it's full of stars,' all about
Olber's Paradox / a different kind of glitter: hysterical upmarket car bling by
Strutwear /
Dumb Angel Magazine and weblog tracks the traces of West Coast surf culture.
We like the idea of a
mis-guide / go and buy a
castle in Europe. There are lots / don't you love it when a
hoax comes together / driving on three wheels on a
Citroen GS / rats, the site looks much better in this
rss reader / the
Golden Fleece Awards, angry responses to big budget state projects in 1970s America some of the things that got them all riled seem commonplace today / all about the
wah pedal.
Photo Book Guide is exactly that, a project that tries to 'show the history of photography reflected through the photo book', with detailed reviews of such gems as William Eggleston's
Guide (currently riding a
wave of popular interest thanks to simultaneous use by both
Primal Scream and
Ali Smith) and
Martin Parr's One Day Trip, one of thirty books Parr has published in the last 20 years apparently. Oh yes, the site is by Rob Gardiner of
NYC London, no mean photographer himself.
My Home Our Place, a surprisingly link-less site concerned with 'better housing and Neighbourhoods for the North East...' / the latest issue of
Blue Eyes Magazine includes Allison V.Smith's essay on
Marfa, Texas, home to the late
Donald Judd, his
foundation (and, until recently, this lonely little
desert outpost of high fashion and noughties irony) / a set of
four KLF videos. Well worth it / linked before, but an ongoing project:
Evening Standard doom and gloom.
posted by things at 23:39